Saint John the Evangelist Catholic Church, North Boulder Valley (Boulder), Montana, USA
Montana State Highway 69
August, 2025
Post-editing fun of a quiet church.
This is an active graveyard and church with gleaming white paint and white crushed stone. All photos were exposure compensated at +1 to +1.5 stops.
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Click for larger view. Arrow key right for next image |
(above) Standard shot. Nikon Z5, Nikor 17-28mm at 24mm
F9, 1/640 ISO 200
Non-HDR, hand-held, polarized
+1 stop over-exposed
In post, I converted to Black & White, and then Infrared.
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Paintshop Pro (PSP), Black and White conversion |
PSP, Infrared conversion |
PSP, Black and White conversion |
More infrared, different people:
Different view. PSP, Infrared Conversion. 17mm, F9 |
Color shots, facing North West:
PSP, lightly edited and cropped (NEF conversion) |
Wide Angle Views
The 17-28mm f2.8 is my favorite lens. When I bought the lens, I intended to replace a 20mm from my film cameras, but time-and-time again, the zoom finds itself at 17mm. The change from 20 to 17 is loads-of-fun.
Keystoning, galore. 17mm |
With wide-angle shots like these, cropping is needed if the foreground details are bland. In this particular photo, I was only a few scant feet away, with the lens trending-down. I was watching the distortion on the headstones near the center, keeping them more-or-less natural looking. But the headstones on the far-left (now cropped), were distinctly leaning backwards.
The goal was to make the church seem small and to give distance between the headstones. All things a wide-angle loves to do.
Click for larger view |
Of interest, several of the photographs were taken in-camera as B&W. When looking through the Z5's electronic view finder, the composition was fantastic, showing the scene in monochrome. It is exhilarating to take photographs this way.
However, since I always store the original negatives as .NEF, they were full color when pulled-up in the editor. Vaguely disappointing, but easily changed back.
Finally, Paint Shop Pro's B&W conversion seems flat. In the real world, there are different kinds of black and white films and printing papers. Photo Editors have plugins to simulate those other techniques. For example, I would like to learn how to make the image look like a Gelatin print. PSP is deficient in this area. Your comments welcome.
Related articles:
Using an 18% greycard:
https://imageliner.blogspot.com/2011/11/using-18-grey-card.html